In the beginning, there was her desire to work with a natural, living material. Violaine Buet’s choice intuitively fell on seaweed, the ancient marine plant that formed part of the landscape of her childhood in Brittany. The overarching goal of her efforts: To develop an innovative expertise on seaweed to use it in art, haute couture, scenography and decoration as well as visual merchandising and industrial manufacturing. Because: seaweed can be used in many ways. Whether weaving, dyeing, sewing, printing, embossing, tufting, engraving, braiding or pressing – the possibilities seem almost unlimited.

With her craftsmanship as a designer, Violaine Buet explores the aesthetic and technical properties of the material, develops natural dyeing methods with the support of experts in vegetable dyeing and biopolymer researchers. Using interdisciplinary methods, she combines expertise with craftsmanship, inspired by weavers, leather workers, jewelers, tailors, screen printers, gilders and master glaziers. In this way, she not only creates customised textiles from the biodegradable algae, but also walls, landscapes and installations.

“It’s like writing a story with an inevitable factor of time. With seaweed I have to take into account seasons, species, tides, weight, smell, particularities, colour-fade, hydrophilicity and decomposition, all of which change with time. It’s about everything coming together in a kind of balance.”

Violaine Buet

Munich Fabric Start Exhibitions GmbH launches FABRIC.iD – a process for the complete digitization of fabrics. The new texture scanner xTex and the colour scanner can:scan transform textiles into virtual data. The result: digital twins that reproduce the texture and colour of the materials realistically and flawlessly.

Munich Fabric Start Exhibitions GmbH, organiser of the International Fabric Trade Show MUNICH FABRIC START and the International Denim Trade Show BLUEZONE, is now offering the digitization service FABRIC.iD to support digital processes in the first step of the textile supply chain. From structure to colour composition to rigidity – the innovative texture and colour scanners xTex and can:scan from software companies Vizoo GmbH and Caddon Printing & Imaging GmbH capture all the details of the texture and translate them into virtual data. Digitization generates a unique fabric ID which makes the textiles technically identifiable, traceable and usable. The result: digital, realistic fabrics.

The service was first presented in all facets during MUNICH FABRIC START, from 31 August – 02 September 2021 in Munich. The process expands MUNICH FABRIC START’s range of products to digital, indefinitely.

“We are incredibly proud to be able to offer FABRIC.iD at MUNICH FABRIC START – a technology that is unique in the world. From now on, our customers can send their fabrics to us or bring them directly to us to see the process – our team will then take over the scanning process and digitize the textiles, at the trade fair and throughout the year. We then make the data available for further processes. The samples can be measured without restriction on any monitor with a click of the mouse and used for sales, product presentations, design processes, trying on avatars and other areas of application – the perfect addition to the physical experience at the trade show.”

Sebastian Klinder, Managing Director Munich Fabric Start

“Everyone who works with such processes knows the effort involved in the analogue coordination between buyers and suppliers. These can drag on for a very long time and in the end a substance is released that does not actually meet the original idea, but instead comes as close as possible. In some cases, collection components are completely cancelled because a consistent result simply cannot be achieved in the allotted time. We are solving this problem with the new technology from FABRIC.iD.”

Michael Nothelfer, Managing Director of Caddon Printing & Imaging GmbH

The innovative digitization takes place in the Fabric Studio, the showroom of Munich Fabric Start Exhibitions GmbH. There the textiles are scanned – the exact texture can be recognised and transformed within a very short time. In the first step, the exact colour and pattern are determined, then the surface structure is determined. A physical material analysis is then carried out, in which the weight, rigidity, thickness, elasticity and other material properties of the textile are precisely determined. This enables an accurate simulation of the drape properties of the fabric. In addition, FABRIC.iD also understands the spectral yarn colour values ​​of the dye works and the weaving data of industrial looms in order to generate visually correct and colour-correct textures for 3D applications.

Modifications are not made subjective, instead, validly collected data ensures a high degree of authenticity and coordination between the physical and virtual product. By using the open source U3M format, the digital material is compatible with almost every 3D-capable application. Since fabrics can differ greatly in their properties, three different categories are offered: Standard for less structured and monochrome materials, Advanced for strong structures and colours, as well as a third category, Complex, for complex patterns and very shiny materials.

 “It’s the latest technology on the market with uniquely advanced methods that outcompetes any other solutions in the world. At MUNICH FABRIC START we are now making the technology accessible in our FABRIC.iD studio. A milestone for the industry – not only in the direction of digitization, but also in the direction of sustainability,”

Martin Semsch, Managing Director of Vizoo GmbH

Find more information about FABRIC.iD online at www.fabric.id/

Turning old into new: material and product designer Sarmite Polakova along with designer Mara Maizele have created a completely new textile concept with their biotextile Pre-Loved. Pre-Loved consists of used textile waste and natural binders. With this product, the designers want to question the traditional concept of fabrics and shift the perspective to recycled mixed fibres. Shoddy is the name for the material made from unsaleable and no longer wearable garments. Cotton, polyester and wool: Shoddy consists of a variety of fibers that are combined into a single mass in the recycling process.

Another special feature is Shoddy’s excellent insulating properties. The biotextile can be used for a wide variety of purposes: in a warming winter coat, in a cosy couch or in a well-insulated house wall. Through colour separation, controlled patterning and even natural dyeing, the fabric also stands out with a unique look. What’s more, the short fibers, which are otherwise unsuitable for spinning yarns, are combined with bioplastics that strengthen the fibers from the inside out and give the material a smooth, leather-like surface. With Shoddy, a whole new kind of man-made fiber is created – Pre-Loved celebrates this new textile identity, bringing a new aesthetic and highlighting the former life of each worn garment through nuances of colour and texture.

“When textile waste meets bio-plastics and together they form a new leather-like material for future fashion applications.”

Sarmite Polakova

The entire BLUEZONE team proudly invites all denim professionals to discover the BACK TO THE FUTURE trend forum, which returns us to a time when the future is free to be written – a future with a strong desire for blue denim trends, novelties and a feeling of freedom. Where sustainability goes beyond and against greenwashing to envision the denim of tomorrow. To get started, let us briefly introduce you to the 4 trend themes, which are also represented in the DIGITAL TREND SPACE as 4 distinct exhibition rooms: #1 BIG FUN; #2 GAME ON; #3 IN-FORMAL MUTANTS; #4 RE-TURN

Warm honey and amber colours are at the centre of this calm and balanced colour palette. Whether matt or glossy, they are not only used as accent colours but also play the main role in large pieces. Next to it sits light purple as an accent and shirt colour. The palette is softened by timeless tones such as rough olive and grey as well as a classic navy blue.

Patching is one of the most direct and transparent ways of upcycling. Here, second-hand pieces are cut up and lovingly reassembled into unique pieces. Other designers take on collection surpluses and create entire ranges of new trousers, jackets or skirts from them. In any case, it is an elaborate process that produces exclusively unique pieces. But hasn’t exclusivity always been allowed to have its price?

Classic, hard-wearing winter fabrics such as gabardines, herringbone, tricot and denim get an upgrade. By making supply chains and the origin of materials transparent, they turn into ambassadors for raising awareness and for education. At the same time, timeless designs such as English checks, Scottish tweeds and traditional Norwegian knits gain importance in a theme focused on longevity.

Prints and graphics reflect the optimism of the theme in hand-drawn illustrations and cheerful slogans. They work particularly well on high-quality, structured fabrics made from natural materials or recycled canvas. Cork, dried grass and low-quality cotton waste emphasise the strength and stability of natural fibres and they are absolutely sufficient future alternatives for hangtags & co.

Just before reaching the goal to realise a fully booked trade show at pre-pandemic level in just a few days, it is unimaginably difficult for us to write the following lines right now:

The political regulations in Bavaria of 19/11/2021 and the associated, strongly limiting conditions for events starting from an incidence of 1000 have far-reaching consequences for the VIEW Premium Selection. Due to the currently strong increase in the infection rates in Munich, the Preview Textile Show planned for 30/11 – 01/12/2021 must now be canceled as a precaution.

“Up to the last moment, we tried to make everything possible and believed in being able to set a positive example again with the realisation of the VIEW Premium Selection. We have fulfilled the requirements, adapted our hygiene concept several times to the dynamically changing measures and took the necessary precautions for a safe event. In short, we were ready for the final countdown – ready to welcome the textile industry back to Munich! Especially because of the great support from the industry and the high demand for VIEW, we now deeply regret the circumstances and the short-term cancellation, but the health and safety of all show participants always comes first.”

Sebastian Klinder, Managing Director Munich Fabric Start

Now we are fully focused on realising MUNICH FABRIC START Spring.Summer 23 from 25/01 – 27/01/2022 and BLUEZONE from 25/01 – 26/01/2022 as Covid-19 compliant physical trade shows in Munich.

Sharing knowledge, saving clothes: 3.3 years – that’s the average lifespan of one piece of clothing. With good care and a few tricks, clothes can last much longer. The digital platform Fixing Fashion has made it its goal to help those interested in caring for their favourite pieces, repairing them themselves or recycling them. On Fixing Fashion, users can find ideas, tips and instructions for protecting worn clothing with creative approaches. Designer Alicia Minaard prepared for this together with the organisation One Army for over two years: In interviews, workshops and excursions, Minaard’s network researched the best practices and methods for recycling and repairing discarded clothing worldwide – and is now making them available free of charge. The result is a collection that you can’t buy, but should imitate or use as a source of inspiration for your own Fixing Looks.

But the Fixing Fashion team is not only concerned with providing information. Rather, the initiators of the project would like to build up a community that exchanges ideas and supports each other in preserving clothing for longer – and thus, not least, in saving textile waste. By carefully caring for textiles, their lifespan can be increased from 3.3 to 4.5 years. According to the American textile waste volume, this could save 1.22 million tons of waste per year.

“The collection is not for sale. Instead, each look is merely meant to inspire. In a way it is meant to trick people, as if this is a brand but then really it has everything and you need to do it yourself!”

Alicia Minaard

Lust for life, lust for the countryside, that doesn’t just mean lust for celebration, it also means lust for colour. The colour card is inspired by hypnotic sunsets and lush flower fields. Intense pink, yellow and rich dark red reflect these floral colours. Pastel accents are set by ripe peach tones; old pink berry colours mattify the palette. Grey tones in melanges, as well as strong cobalt blue and duck green, are used as a wintry base.

Who says there can’t be sparkles in the countryside? When the sequin skirt meets the checked shirt, a whole new idea of glamour emerges. Celebrating fashion means putting it into new, creative contexts. Expressive outfits rise from particularly surprising combinations that combine urban chic with an antique check. That’s what we celebrate!

Why can’t it be fur sometimes, like our ancestors wore? It can be lush, ironic and definitely made of artificial fibres that can be used to create a wonderful play of colours. And why not give a quilted jacket a glam update with shiny satin? But avoid an overload: Small patterned wool jacquards and checks keep suits and coats stylish. There’s no skimping on woven ribbons and playful borders when it comes to accessories.

When the floral power of the 60s and 70s meets the clean geometric lines of Art Deco, the results are striking floral prints that remind one a little of vintage collector’s cups. From macro blossoms to millefleurs prints, patterns bloom on dark or coloured fonts on façonné. Voluminous ajourés, crepe satin and wild silk in calm tones go beautifully with this.

Finally: the beloved VIEW Premium Selection is back! The fully booked Preview Textile Show will take place in a few days, on 30 November and 01 December 2021, in a familiar atmosphere at the MVG Museum in Munich. Following the example of the successfully implemented MUNICH FABRIC START Autumn.Winter 22/23, the organisers are very pleased to realise the first physical trade show for Spring.Summer 23 – of course, Covid-19 compliant.

The industry can look forward to a live event at pre-pandemic level: Around 80 selected exhibitors will present 300 collections, the usual high-quality portfolio in the areas of Fabrics, Additionals, Design Studios as well as Denim and Sportswear. Renowned weavers and manufacturers such as Liberty, Yünsa, Manteco, Tejidos Royo or Lanificio Roma as well as the well-known agencies Max Müller, Agentur Geiger or Püttmann Textilagentur, to name just a few, will be on site.

“For us, VIEW has always been a highlight, because the timing is optimal and it is
the perfect start to every season, where we can maintain personal contact with our customers
and above all, of course, being able to present the new collections in a very special atmosphere.
We are now particularly looking forward to the upcoming VIEW, which will take place in the familiar atmosphere despite the current circumstances and cordially invite all customers to experience this event together.”

Oliver Schnitzler, Managing Director LOOMseven GmbH

“As the first physical information and inspiration platform of the coming season, the VIEW Premium Selection stands for quality, efficiency and a focused exchange between the industry. We are therefore very pleased to finally be able to realise our Preview Textile Show again at the MVG Museum Munich on 30 November and 01 December 2021. This trade show forms an excellent basis for MUNICH FABRIC START and BLUEZONE at the end of January 2022, which already have a very high registration status.”

Sebastian Klinder, Managing Director Munich Fabric Start

At the same time, the organisers are already preparing for MUNICH FABRIC START from 25/01 – 27/01/2022 and BLUEZONE from 25/01 – 26/01/2022. The feedback from international exhibitors is extremely promising: Both the international textile trade show and the global denim trade show are almost fully booked. On this basis, the use of all halls in the MOC and the Zenith area is planned again, as last in February 2020.

Warm and cold shades of grey are lost in the shadows of the underground, as if they like camouflage colours. Black in particular, which has lost nothing of its popularity, plays with the ambivalence between disappearing into the crowd and aggressive provocation. The non-colours black, grey and white are fired up with loud red and purple. Smoky blue and dark brown add softness to the palette and combine it into a chic colour range.

Spacious outfits, in which several layers of oversized pieces are worn on top of each other, provide a lot of space and a safe distance from the outside world. Sometimes so many layers, that the limits of the ban on concealment are reached. Long, loose coats and ultra-thick down are only the outer shell of a multilayered outfit.

The bigger the arc of suspense, the stronger the tension? Here, this assertion is put to the test when classic outer fabrics like pepita, glen check or vintage vichy are combined with high-tech stretch. A truly exciting combination, bursting with power. Heavily washed-out denim and sweatshirt fabrics are combined to form a casual base for young protesters.

Have a look again? Whether strategically placed holes, fake destruction effects or mesh qualities: The game of concealing and revealing is used to great effect here. What happens to a luxury bag when it is “decorated” with large holes? Does it become worthless? More valuable? In any case, it becomes accessible to a target group that has outgrown luxury in the classic sense.

Buy, wear, throw away – that’s what happens to most clothes. That’s where the principle of a circular economy comes in: Worn clothing can be much more than waste and becomes part of new and continuous material flows.

What began in 2018 as a project for a master’s thesis at the Weißensee Academy of Art in Berlin is currently supported by Re-FREAM, part of the STARTS (Science + Technology + Arts) initiative under the European Commission’s Horizon 2020 research and innovation programme.

“New Blue explores new pathways in circular economy, aesthetics and production. Denim is a ubiquitous material which is loved and used by many. It is also a significant source of waste. The challenge as we see it is to find a way to recirculate old worn out jeans and left over fibers within the system.”

Denim was always considered a particularly durable material – until it lost its integrity due to increasing globalisation and rapid consumption. With New Blue, the new circular denim, material and product designer Tim van der Loo and techno-anthropologist Sandra Nicoline Nielsen want to change that. In their process, jeans as raw material are cut into small fibres and then bonded to form a fleece. Using a new technology using digitally assisted industrial embroidery, the pattern is made directly on the fleece. Through a unique technique, the areas defined by the embroidery remain intact when the fleece is washed, while the non-embroidered parts of the fleece dissolve on contact with water and can eventually be reused as raw material. In this way, New Blue makes circular and waste-free production of denim a reality.

The iridescent colours of Mixed Realities condense between two worlds. Digital pastels appear light, exuding a technical softness. These soft, light tones define the colourfulness of the theme with a nebulous greyish pink, inductive silver, warm gold and a sulfur tone. Two sporty tones juxtapose the palette: technical turquoise and metallic jade. Depth and shade are added to the palette through a warm, dark smoky green.

Like game characters who are not bound to physical limits, we are also longing for shapes that are not natural for a human body. But paddings, volume, avantgarde cuts and intelligent constructions will raise the illusion of a body that no longer follows its given restrictions. A choice and combination of digital colours and shiny surfaces add to the impression that human and avatar are merging.

The desire for animated images and videos is reflected in new technical materials, among others. Holographic finishes and iridescent motifs create fluid surfaces and flowing qualities that dazzle and catch the eye. Gradients from technical pastels to pure white reflect the infinity of virtual worlds. They are inspired by digital gaming, a strong trend that connects online and offline.

Colourful, abstract prints are perfect expressions to merge the real and digital world. They work best on voluminous downs, fleeces and paddings. Instead of classic print motifs, large-scale, seemingly random gradients are patched onto the fabric. Holograms, mysterious motifs and batik prints experiment with new colourways.

Until the 1970s, Enschede in the Netherlands, was one of Europe’s textile strongholds, along with Manchester. Then textile production gradually disappeared from the cityscape because it was much cheaper to produce clothes and textiles in low-wage countries. With this however, traceability, protection of workers and sustainability often fall by the wayside – which is why Enschede Textielstad was born out of Annemieke Koster’s desire to bring back transparency along the textile value chain and revive the city’s former traditions.

“I want to bring textiles back to Enschede and make it a city of textiles again – where professionals who still know the craftsmanship of yesteryear pull their knowledge and find innovative approaches. But then in a new, innovative collaboration.”

Local, natural, high quality: In the industrial weaving mill Enschede Textielstad, natural and as locally produced as possible yarns and fabrics for fashion and home textiles are created. The basis for this is formed by fair and environmentally friendly raw materials that are sourced exclusively from well-known suppliers: guaranteed Made in Europe – for shorter transportation routes and a smaller environmental footprint. Enschede Textielstad’s offers various options: Readymade fabrics produce bestsellers for direct purchase, Made To Order fabrics are woven but can be customised, or Custom Made fabrics for particularly individual ideas, new fabrics or for recycling product waste – so there is something to suit everyone.

The modern colour palette bridges the gap between natural and technical tones. On a broad base of dark tones, such as hazelnut or autumn leaves, cool primary colours like sea blue, fir green and fire red with shimmering metallic effects appear and shine in different combinations. Brightness is added by a sun-bleached white and a wintry soft rosé tone. Digital chlorophyll adds surprising highlights.

Multi-layered cosiness stands for reassuring comfort, whether outdoors or indoors. Simple, sporty styles don’t follow gender rules and are universally worn by everybody. Using a single or similar colours from head to toe gives outfits a clean look. The cuts in this casual theme are roomy and comfortable.

The quest for comfort is fulfilled by fluffy bulk and slub yarns for knits and wovens that feel like a warm embrace. Woolly tweeds with traditional patterns exude familiarity and encase us. These warm body and soul alike. As functional basics, power jerseys made from both natural or technical fibres remain a key fabric.

Patterns become discreet, both in design and in colour. Clean checks in bicolour looks and classic pyjama stripes stay calmly within one colour family. Discreetly woven or printed camouflages and gradients come in toned-down colour combinations and play with shadow-like effects. Patterns do not miss their effect even in small doses.

With the successful edition of MUNICH FABRIC START, we were able to organise a prime example of physical trade shows under the new conditions – with increased motivation and great anticipation, we have now started planning VIEW Premium Selection from 30 November – 1 December 2021.

Especially for our industry, personal exchange and the tactile experience of materials is essential. The Preview Textile Trade Show VIEW is particularly important for us: we can hardly wait to see the industry again soon in a productive, pleasant working atmosphere at the MVG Museum in Munich.

The VIEW sees itself as a high-quality fabric and ingredients fair, which is well ahead of the established textile fair MUNICH FABRIC START and other European fabric fairs. As a small, fine industry get-together, VIEW is aimed at creatives and buyers in the fashion industry who need or want to be informed about the latest trends and developments for material developments, colours trends and innovations in good time.

At VIEW you will find a strong portfolio of premium collections from trendy innovations to fine fabrics, from high-end sportswear fabrics to high-quality basics. Plus an informative selection of labels and buttons.

Be there at the next VIEW by MUNICH FABRIC START to see the first trends and developments well before the official trade show event, January 25-27, 2022. Visitor registration will open soon for the next VIEW Premium Selection. Until then, look forward to browsing the collections and new materials from the following exhibitors and more coming up at VIEW:

AGENTUR HORNUNG | AGENTUR KAREN GERKE | AGENTUR RONZANI | BUREAUX BO | CIRCLELINE DESIGN STUDIO | DEAVEAUX | DUTEL CREATION | FASHION & FRIENDS | GÜNTHER & ROTH  TEXTILAGENTUR | IPEKER TESKTIL | LANIFICIO FRATELLI BALLI | LIBERY FABRIC | LICA DESIGN STUDIO | MAX MÜLLER | PÜTTMAN TEXTILAGENTUR | SCHOTTE | SET | SHINDO TEXTILE EUROPE | SOFTWERT | STRÄHLE | STYLEM CO. | TEIJIN FRONTIER EUROPE | TEJIDOS ROYO | TEXTILAGENTUR KLINDER | TEXTILAGENTUR MICHAEL FELLER | TROUILLET

Often, solutions for ethical and sustainable are not used, even when they are the most obvious one. Fashion and knitwear designer Ann Cathrin Schönrock and textile engineer Franziska Uhl have searched the market  in vain for sustainable and at the same time high-quality yarns which led the duo to get creative themselves: They founded the company Yarnsustain to revolutionise the fashion and textile industry with yarns and fabrics made from dog hair.

“The wool industry currently imports high-quality fibers from around the world, while the source is often walking directly in front of our faces. With us making this resource available to the textile industry, we are able to correct this systemic error. Pet-based high quality wool enables everyone out there to contribute to a better textile future.“

Back in 2017, Ann Cathrin Schönrock, who is a dog owner herself, started working with her dog’s wool – because why shouldn’t this material, which is actually considered waste, also be used for clothing or to fill home textiles? Together with her co-founder Franziska Uhl, she developed the high-quality Chiengora®, a yarn made from the undercoat of long-haired dogs. Support by funds from the German government, the organisation was able to collect more than two tonnes of undercoat this year alone and process it into yarn.

Behind the company are the NGO Saving Lost Resources e.V., Yarnsustain and the brand company modus intarsia. In this triad, the founders contribute to animal welfare, produce high-quality yarns and sell garments made from dog hair – to further promote consumer acceptance and establish garments made from dog hair on the market.

A whole year without physical trade fairs, long months without personal exchange: last week the physical International Fabric Trade Show MUNICH FABRIC START and the International Denim Trade Show BLUEZONE took place for the textile industry in Munich. The team at Munich Fabric Start Exhibitions GmbH is bringing a bit of normality back to the industry, but also to event management.

More than 600 international suppliers presented their new collections and developments for Autumn.Winter 22/23 in around 1000 collections in the Fabrics, Additionals, Design Studios, Sourcing, ReSource and Sustainable Innovations areas at MUNICH FABRIC START as well as denim, sportswear and KEYHOUSE at BLUEZONE. Around 13,400 international trade visitors were on site in Munich this season, which compared with exhibiting suppliers marked an increase in visiting fashion brands compared to the edition in September 2019. The organisers are more than happy with this result!

“Our team is exhausted, but overjoyed: the biggest challenge in our company’s history lies behind us! We actually managed to realise a comparable MUNICH FABRIC START and BLUEZONE with the usual broad portfolio in these times! Until the very last moment, we focused on making the shows a reality – despite all the challenges, measures and ongoing planning uncertainty. All our efforts were rewarded with all-round positive industry feedback and we can say our Covid-19 compliant trade shows were a complete success. Of course, we kept our expectations cautious due to the situation – which is precisely why we are so overwhelmed by the great result! It seems as if the whole textile industry was cheering and so grateful to be able to experience a few hours of ‘business as usual’ again.”

Sebastian Klinder, Managing Director Munich Fabric Start

“BLUEZONE has always scored with a very special atmosphere – this time we surprised people in the Zenith Hall with an 80’s party feeling. Of course, business was not forgotten: the denim industry is currently brimming with sustainable innovations and new developments, all of which were presented in Munich. And the coal bunker right next door became an inspiring, Covid-19 compliant forum for lectures and panel discussions. Now all we can say is that we are doing everything we can to repeat this success in the following season.”

Frank Junker, Creative Director Munich Fabric Start

The organisers are also very proud of the success of the event program. Across 16 scheduled programs, information was shared on industry innovations and future-oriented topics, especially relating to circular economy, digital tools and production processes.Highlights included the trend presentation by David Shah and the panel discussions “Closing the Loop – How circular can the supply chain be?” and on “Local Manufacturing – A reality or just a temporary green gimmick?“.

“First of all I would like to thank the organisers for the enormous effort – I can imagine how much work it must have been in these times to realise a trade show and then even continue to offer the great service such as free coffee and free lunch for everyone! We are definitely all super grateful to be here, as you could see in the general joy of the visitors. For me, the three fair days were all about meeting again with live contact again. And my expectations were even exceeded: We were able to welcome a very good quality of visitors from all European countries and I am particularly pleased about the many interested new customers. “

Vlad Zisser, Zisser Design Studios (Sweden)

“We had a really very successful trade fair – all the important customers came and you could really feel how happy everyone was to finally meet again live. Now we just hope that it will continue like this and that the following events can also take place.”

Isabelle Hosatte Firmann, Dutel Creation (France)

 “What a goosebumps moment! Since the second edition of Munich Fabric Start in 1997, I’ve been coming from Paris to Munich every season to look for new fabrics, ideas and colours… And I can say – I’ve never looked forward to a fair like this time! It was a lot of fun and my team and I are just happy that it started again. The show has an incredibly pleasant and well-organised atmosphere, in which you simply feel warmly welcomed as a visitor, which is why I was there again on all three fair days! So I can only say: BRAVO and THANK YOU!”

Visitor Anja Seidl (France)

“Many thanks to the BLUEZONE team for organising a show for the denim community that we all longed for! I am sure that all exhibitors and visitors had a great time and we really appreciate your hard work.”

Visitor Robin Meijerink, Robin Denim (Netherlands)