textile designer
Key Conversations: Consulting on Sustainable Production
Interview with Sustainability Consultant and founder of Cocccon, Chandra Prakash
When you meet Chandra Prakash for the first time and ask him ‘What do you do?’, he answers ‘sustainability consultant’ but it only takes one conversation with him to discover that in a moment he goes from working in the fields as an organic farmer to researching and developing sustainable agricultural methods in the production of natural fibers at the India-Nepal border and even more recently, securing the certification process of natural fibers using blockchain technology. Suddenly you realise ‘sustainability consultant’ doesn’t quite sum up the full scope, reach and vast nature of his work. In this interview we scratch the surface to reveal insights into his latest projects, challenges he is facing and his passion for true sustainability.
Can you tell us about your work as a sustainable fashion consultant?
I am deeply engaged with sustainable fashion and have gained invaluable insights on the its complicated supply chain from many perspectives; as an organic farmer, a textile designer, a fashion designer and as an entrepreneur selling textiles and fashion garments as the owner and founder of Cocccon specialising in the production of non-violent silk fashion. The creation and knowledge of short- and long-term sustainability road maps are my strength as a sustainability consultant.
You are currently researching other sustainable fibers and production methods, can you tell us what you are focused on?
My research is on natural fibers, in particular how they can be grown using as little water as possible and without chemicals. My current project aims to make the most sustainable and luxurious linen, kenaf & sisal fiber production located at the India-Nepal border.
You appeared in the Key Conversations video series with Simon Angel and introduced your latest technology solution to support the certification process for fabrics. Can you tell us more?
The challenges facing certification bodies have been further compromised by COVID-19. Most cotton fields are on isolated or rural terrain which means it is not possible to oversee or control the entire land. Data collection and entry is still based on trust, with no cross-verification methods. In the current system, it is not possible to authenticate the materials in the pre-fiber stages, such as the agricultural processes for growing fibers like cotton, linen etc. The lack of physical visits due to COVID-19 has resulted in the increase of greenwashing.
The technology I am currently developing can ensure auditing can be easy, safe and much more reliable. Data can also be collected at the agriculture stage. To ensure authentication, surveillance will be carried out at three different stages. Together, the use of AI technology, Blockchain technology and a smart physical auditing system will make the certification process of an organic product fool-proof.
Watch the Key Conversations episode between Chandra Prakash and Simon Angel here.
Tell us about the biggest challenge you face in the development of this new digital system?
This is very ambitious project. Traceability at raw material stage is supposed to be next to impossible. I took it as a challenge and worked hard on realising it. Connecting different kinds and levels of technology is always a challenge. Let’s just say we are working on it! We will need to work with partners from the fashion Industry including raw material and blockchain experts as well as crucial investors. We are currently looking for a CFO to join us as well.
How important is it for brands to offer transparency and traceability to their consumers? i.e adopting blockchain technology.
The number of people willing to buy authentic sustainable garments or fashion accessories has increased drastically. The young adults, teens and children who are protesting at Fridays for Future and climate strikes across the world are our future clients. They want to know who made the clothes they wear. They want to know if everyone was treated well in the supply chain. They want to know if their organic t-shirt is really an organic. Traceability will be the new normal soon. Our AI & machine learning technology can help everyone from brands to end consumers. Using Blockchain can ensure certifications are reliable and authentic.
Germany will introduce new Supply Chain laws with increased focus on human rights. Can your technology help avoid human right violations?
Current regulations have limited say and access to controlling social or human factors during the production stage of raw materials. There are also challenges in checking for forced or child laborer’s at cotton and flax-linen farming. 80% of cotton farmers working in developing nations are from local tribal communities and have no government approved ID cards. On paper, they do not exist, hence regulations are not applied to them. Our IoT based technology can help organise farmers and brands to overcome these challenges. This makes our technology suitable for fool-proof, real time traceability platform from farm to fashion.
Our thanks to Chandra for his insights and joining us in conversation as part of the Key Conversation series with Sustainable Innovations curator, Simon Angel. If you’re interested in the topics discussed here by Chandra Prakash or to find out how you can support his work you can contact him here: prakash@cocccon.de
Let’s keep the conversation going … did this project spark an idea or do you have any questions? We’d love to hear from you, send us an email to info@munichfabricstart.com
Inclusive Sizing Technology
Inclusive Sizing Technology, Helping the Fashion Industry Represent the Underserved
AN INDUSTRY INSIGHT BY FASHNERD FOUNDER MUCHANETA KAPFUNDE.
With as many unique sizes as there are people on the planet, does it make good business sense for the fashion industry to continue to mass-produce 3 or 4 standard sizes? Yes, it is cost-saving, but with the new wave of body positivity breaking the sizing mould of yesteryear, maybe the time has come to move with the times. It is a positive thing to see the movement forcing fashion brands and retailers to turn to technology to meet most body shape needs and offer more than just standard basic styles.
Sizing Technologies, Worth the Investment?
Inclusive sizing technology is nothing new. Several solutions have been trying to correct the distorted and outdated image-standard designed to exclude plus-size consumers for a while now. Most famously was the ZOZOSUIT, a skin-hugging, high-tech bodysuit created to help shoppers purchase clothes, guaranteed the perfect fit every time. Now fast forward to 2021, and although sizing technology has advanced even further, shoppers are still struggling with common-fit issues. This begs the question, can fit technology fix fashions biggest demons, sizing and fit?
According to Narvar Inc, size and fit are among the top reasons customers return online orders. The e-commerce software company believes that this obstacle “further erodes retailers’ already thin profit margins”. Although it is a complicated problem, sizing technologies that offer a solution are being communicated to fashion businesses. One of those is 3D technology.
Revolutionising the fashion industry one label at a time, 3D technology is capable of helping fashion brands understand their consumer’s body shape so they can develop more accurate garments. One of those startups offering this type of innovation is CLO. On a mission to help the industry understand how ‘fit can build loyalty to a brand’, CLO 3D Simulation software feature allows brands to solve the question mark of their customer’s shape. Primarily built for cut-and-sew garments, CLO brags features like an API that enables customers to input their measurements to receive fit maps and view draped garments.
Fit Analytics is another solution. It is a technology that provides a “Fit Score” generated by response comparisons. CEO of Fit Analytics Sebastian Schulze believes that fashion brands cannot simply scale existing apparel specifications to create plus-size garments; they need fit technology to help them empower consumers and fix a decades-old problem.
Also worthy of mention is the digital fit solution app MySizeID. The direct to retailer technology helps consumers assess a garment’s sizing. Denim brand Boyish Jeans partnered up with MySize and saw a reduction of more than 30 per cent in two months. How? Well, the app’s AI-driven technology works by analysing user-entered data, like weight, gender or height, and then MySize’s proprietary machine learning database calculates the appropriate size. On their technology, Ronen Luzon, MySize CEO and founder told Sourcing Journal:
“Our app was designed specifically to take the guesswork out of sizing and make things as convenient as possible for online shoppers, so enabling customers to utilise our sizing recommendations and navigate directly from our app to retailers’ sites is a natural step for us when it comes to working directly with the consumer”.
Looking ahead, MySize is hoping to offer the same solution it does to the apparel industry to the footwear industry.
Yes, Fit Technology Has Gone Mainstream
When Lizzo, Ashley Graham and Meghan Trainor brought the inclusive sizing movement to the mainstream, fashion brands began to understand that they were walking away from profit by underserving a specific demographic. One of those brands was ASOS. Last year, in 2020, the British online fashion and cosmetic retailer trialed an augmented reality tool in collaboration with Israeli augmented reality (AR) company Zeekit to expand their offerings. “See My Fit” allowed ASOS customers to view 800 dresses on 16 different models, sizes 4 to 18, which heralding the online retailer as being at the forefront of fashion inclusivity. When released, Tim Carey, senior content manager at ASOS Studios, told NBC News:
“With this trial of See My Fit, we’re using the latest in AR technology to put the power in our customers’ hands, so they can choose to view a dress on the model that they most identify with, in a way that wouldn’t be possible using traditional model-shooting techniques.”
Then there is Vero Moda, a fashion brand that worked with Presize. It is a fit solution that can be integrated with zero IT capacity. After applying the technology to its online store, the fashion brand saw an increase in its online revenue.
When it comes to reliability, Presize states on their website that a study conducted with 255 participants found that the startup showed greater body measurement accuracy for 90% of all subjects and scored a mean average error 55% lower than that of the second most accurate solution in the benchmarking.
Empowering fashion brands to offer a more personalised sizing experience is ZyseMe, a Germany based startup driven by a desire never to allow customers to compromise on fit. It is a solution that has been successfully cutting overproduction, waste and returns. In 2021 they partnered up with H&M. Together, the two companies offered on-demand production of men’s shirts with H&M LAB. Using AI algorithms, they generated a unique pattern for a shirt produced on demand and sent directly to the consumer. ZyseMe is now expanding to partner with several other retailers and brands.
Finding The Perfect Fit, A Sign of Changing Times
Doesn’t it make good business sense for fashion brands in this challenging market to not alienate the next generation of consumers? Fit-related innovation has proved to be the best way to meet the demand for size “ideals’ that do not skew towards smaller products while also fighting the growing number of returns and unnecessary overproduction.
Yes, fit technology might not have cracked the code to the perfect fit, but you should believe the hype because as the technology evolves, it is coming closer to promising “perfection and personalisation” than ever before. Acknowledging the existence of inclusive sizing solutions is no longer enough; adopting, adapting and executing them is.
ABOUT THE AUTHOR
Founding editor-in-chief of FashNerd.com, Muchaneta has worked in the fashion industry for over 14 years. She is currently one of the leading influencers speaking and writing about the merger of fashion with technology and wearable technology.
Muchaneta Kapfunde | editor@fashnerd.com
Towards 3D Digital Innovation
3D Digital Innovation: Transitioning From Physical to Digital
AN INDUSTRY INSIGHT BY FASHNERD FOUNDER MUCHANETA KAPFUNDE.
As business practices in various sectors adjust to accommodate digital innovation, the textile industry has also started to shift direction. Driven by the growing need to rethink the industry’s approach to design, development and manufacturing, the textile business has finally started to turn to digital technology to help solve some of its industry-specific difficulties and complexities.
Under pressure to innovate, I am excited to witness 3D digitalisation finally taking centre stage in the textile industry. Propelled forward by the brand-new digital wave, textile businesses are setting new standards to future-proof the sector. Rethinking how they operate, more and more textile businesses are becoming less afraid to explore the benefits of transitioning from physical to digital. The majority are doing this by examining the advantages of merging textiles with digital experimentation. So, what exactly is 3D digital technology offering an industry notorious for being resistant to change?
The Digitisation of Fabrics, A Powerful Asset?
Modern technologies are proving to be an influential asset when it comes to playing an integral part in changing the dynamics of the textile industry. With the potential to give textile businesses a competitive edge, we are starting to see 3D digital innovations being highlighted at textile trade shows, which, in my opinion, is a step in the right direction.
This is an opinion formed while frequenting various textile trade shows. As a regular visitor I am familiar with physical swatches. Now imagine if I, as a visitor (or customer), could access the digital twin of a piece of fabric along with its physical swatches. This concept was introduced at Munich Fabric Start (MFS) trade show during their 2019 edition of KEYHOUSE.
The Munich based trade show showcased fabric suppliers offering a digital twin alongside physical swatches. Partnering up with Digital Fabric Lab, they demonstrated the individual steps of fabric digitisation and how textile businesses can create a realistic image of digital fabric samples. The key takeaway was that physical no longer needs to be the master copy. More recently, in 2021, MFS invited attendees to indulge in 3D digital fabrics and trend inspirations showcased at their DIGITAL TREND SPACE.
Another digital platform making it possible to digitise fabric is Esmetex. “We aim to simplify the fabric development process; no more looking through swatch boxes and shipping swatches back and forth“, said the founder of Esmetex, Victor Chao, to Apparelresources.com. Adding:
“It is not practical for a designer to search through 18,000 fabric swatches when Frontier® can search based on whatever criteria the user is interested in and return all relevant fabric information on one page. This can be done on a desktop, laptop, tablet or smartphone by accessing our website or by installing our app.”
Chao is not alone in trying to help the textile industry move with the times. Emily Croneberger, manager marketing and industry programs, Cotton Inc, said in an interview:
“Digitising the fabrics is our first step in keeping cotton in a digital landscape”. She continued: “We have committed to creating an online digital library of our fabrics, free for download and use by brands, mills and accounts. We plan to move forward in promoting and expanding our digital assets.”
Although it is unlikely that physical samples will become a thing of the past anytime soon, the digital twin of fabric offers some advantages, like storing all fabric data in one central place. It is also worth taking note that solutions offered by digital material platforms like Swatchbook, also make it easier to verify the physical textiles’ authentication. For those attending shows, this type of tech solution makes viewing the fabrics more effortless while helping textile businesses be less wasteful when it comes to physical material samples and swatches.
The Wonder Of Digitally Transformed Fabric
As industries transform to meet global changes, we have seen a rise in the adoption of newly emerging technologies. It is these genius ideas that have allowed the textile industry to take material digitisation to the next level. By hybridising the physical world with the digital one, textile companies that once relied on physical meetings at trade shows are now turning to innovative textile technologies to help them digitally transform their fabric during the global pandemic. One of these solutions is Scanatic™ Nuno Fabric Scanner provided by tg3ds.
Digitally powering the textile industry, the tg3ds studio uses an intelligent imagery processing engine to capture 3D texture display properties of fabrics in the smallest digital footprints. Another solution provider is Twinbru. They have made a name for themselves by setting an industry standard when it comes to making it possible for digital fabrics to be used in all virtual settings, like AR, VR and even game design.
Ready for Limitless Possibilities?
When the world of “all things digital” merges with one of the oldest industries, you know it’s time to stand up and take notice. If you are a fabric mill, a garment manufacturer, or a textile brand, now is the time to leave outdated methods behind and transition your product from physical to digital. For example with help from companies like CLO Virtual Fashion, who can accurately emulate drape-sensitive fabrics such as lightweight wovens and jerseys with various material properties, more on this here. Yes, there are still imperfect kinks to the technology, like not being able to mimic complex behaviour of materials, but that does not make innovations like 3D Digital plan B; it should always be ‘the plan’.
So why embrace digital transformation? If you want to become faster, more relevant and more cost-efficient, now is the time to capitalise on all the possibilities that digitalisation offers. Yes, some might argue that the technology is not industry-ready enough to replace physical samples with virtual ones, but we can all agree that a new textiles economy is arising, and it makes sense to be a part of it.
ABOUT THE AUTHOR
Founding editor-in-chief of FashNerd.com, Muchaneta has worked in the fashion industry for over 14 years. She is currently one of the leading influencers speaking and writing about the merger of fashion with technology and wearable technology.
Muchaneta Kapfunde | editor@fashnerd.com
Key Conversations: Seamless Production with Mushroom Mycelium
MycoTEX: The sustainable innovation driving seamless production using compostable mushroom mycelium
Dutch designer Aniela Hoitink is on a mission to change the way we use textiles. Known as the living material, with MycoTEX Aniela harnesses the organic and living properties of the compostable mushroom roots. Showcased in our forum for Sustainable Innovations in 2018, MycoTEX® is the ground breaking automated seamless manufacturing method allowing for custom-made products made from compostable mushroom roots.
As is the nature of living things, change and progress is a constant. From the early beginnings until now, Aniela takes us on her journey and talks us through the evolution of this sustainable innovation. From founding her own company, NEFFA, to scaling up production of MycoTEX, here’s how Aniela is changing the future of textiles.
How has your work evolved since you exhibited at our innovation hub Keyhouse in 2018 as part of the Sustainable Innovations forum?
Based on feedback we received from brands and consumers, we have changed our growing method and successfully created samples which are smooth and can feature a variety of textures for unique placement options. Now further on, the first reactions from potential customers are very promising. We are working towards the development of a pilot collection over the next 12 months. Even more exciting, we have now established our company NEFFA. We have expanded our team and are raising a first funding round to produce the pilot production.
Have you seen a change in the way companies approach collaborations in the last few years?
The interest in sustainable materials has grown extensively. The goal is to find out how sincere this interest is. Do they really want to start working with your materials and products or are they just filling up their library?
What is the difference between MycoTEX and other (mycelium) materials?
Most companies are interested in developing sustainable materials that fit into the conventional supply chain, as this is the easiest way to make an impact. This conventional production method is based on cutting & sewing and overproduction. This way of production generates a lot of waste, waste that once needed water, nutrients and CO2. Our holistic approach led us to the development of an automated seamless manufacturing method for biomaterials. This allows us to make a bigger impact in terms of sustainability rather than using sustainable materials alone. As our method is not based on cutting & sewing, we do not have this production waste. Furthermore, our supply chain is much more flexible and allows for personalisation at mass production scale.
You are now in the process of scaling up the production of MycoTEX, can you share the highs & lows as well as the challenges you face to make this a reality?
Developing any company from scratch is hard but rewarding if you have a vision to follow. For us, the highs are all of the steps we take in the right direction. From finding the right partners who agree with your vision from the very first slide you show, to improving the material and achieving the result you like and more importantly seeing potential customers liking those results too.
The challenge is getting investors on board. A small ROI (return on investment) is something that most investors don’t like. The search to find the right investors takes a long time, trying to find those who are willing to join us and make an impact in the fashion industry. Clients are now used to sourcing sustainable materials and are approaching us for that reason. MycoTEX offers a product made using a seamless manufacturing technology which differs from the usual offer of fabrics by sheet or by meter. It can be challenging to convince them that our method is actually much more sustainable and worth the trouble to work with such an innovation.
MycoTEX was recently awarded the Solar Impulse Efficient Solution Label, can you tell us what this will do for MycoTEX?
To receive the “Solar Impulse Efficient Solution” Label, MycoTEX was thoroughly assessed by a pool of independent experts according to 5 criteria covering the three main topics of feasibility, environmental impact and profitability. It is an external validation of our solution, which helps in attracting customers and investors, as this is a proof of high standards in profitability and sustainability.
Who is your dream company to collaborate with and why?
We would like to work with innovative companies who are eager to rethink products being made, companies like Alexander McQueen, Martin Margiela or Mugler. Imaging the different shapes you can make if there is no need for seems, not even a shoulder or side seam. Kim Kardashian would be our dream type. Her curvy body is quite a challenge from a pattern-drawing point of view. With our seamless manufacturing method we could create the perfect fitting jacket for her.
Our thanks to Aniela for her insights and joining us in conversation as part of the Key Conversation series with Sustainable Innovations curator, Simon Angel. If you’re interested in a collaboration with Aniela Hoitink, she’d love to hear from you! Find out more here: https://neffa.nl/contact/
Let’s keep the conversation going … did this project spark an idea or do you have any questions? We’d love to hear from you, send us an email to info@munichfabricstart.com
Key Conversations: Natural dyeing as a future fundamental
The Atlas of Sustainable Colours: A guide to the future of natural dyeing
Colour researcher Julia Kaleta is dedicated to strengthening colour communication and exploration into natural dyeing as a sustainable alternative for the fashion industry. What began as a passion project, the Atlas of Sustainable Colours now addresses a real need in the industry by providing comprehensive colour referencing and inspiration for natural dyeing.
Julia Kaleta sat down with Simon Angel as part of our Key Conversations video series to talks us through the evolutions or the work, the challenges of integration with design libraries as well as the realities embraced by sustainable fashion brands and designers making the move towards sustainable alternatives in dyeing.
Can you tell us how you work and the atlas itself has changed since you exhibited at Keyhouse in 2019?
During the exhibition I made a lot of new connections and shared a lot of inspiring conversations which made me ask myself more questions about sustainable colouring. Since then, the project changed a bit, but its main goal to be a catalyst and facilitate the debate on sustainable colouring in the textile industry has stayed the same. I am currently working on a digital platform for the Atlas of Sustainable Colours, nevertheless, it is a side project which I am developing in my free time so this is still in the development phase. I keep in touch with researchers and designers in the field to stay up-to-date with new possibilities and challenges of colour innovation. Recently, I applied for a grant to further develop my research but unfortunately didn’t secure the necessary funding which would speed up production of the Atlas of Sustainable Colours, to make it available for those who would benefit from having it in their design libraries.
What is the next step to this project?
The project itself sparks a lot of curiosity as people are very interested in what the project has to offer, usually following up with messages about how to get their hands on a copy. This shows that small brands and independent designers are in need for a guide into alternative colouring. My focus now is on production and realising my dream to make this book available to buy. In the meantime, I offer services as a sustainable colour consultant to help brands navigate the challenges of natural dyeing. While it is not the first catalogue of natural colours, the Atlas of Sustainable Colours is indeed the first compendium and comprehensive guide to colours made with alternative dyeing methods.
Tell us what you’re currently working on, is there something in particular which is new and challenging you have to tackle?
Last year was particularly challenging for me. Especially while undergoing work to realise the digital platform, it is much bigger project which is still looking for funding to take the project forward. I was invited as a guest lecture to speak with students on the topic ‘Ecological debate in fashion through the prism of colour’. It was an extremely fulfilling experience that has led to my decision to study for a PhD. From here I would say that the most challenging thing will be to remind myself to keep developing the project also way that is sustainable for me.
What’s your viewpoint on colour in fashion?
I look at colour as a tool to create an aesthetic experience. Therefore, I encourage every designer who is in the unique position of power to create new objects, to ask themselves not only about the origin of textiles but also to wonder where the colour comes from and how it was produced. It’s not always easy to find that information, but in the process, you will think more in depth about the complexity of the fashion industry and the importance of questioning the origin of the resources we use. These are the kinds of questions we must ask if we want to make more sustainable products and secure a sustaining life on this planet.
Do you have any advice to brands making the shift from synthetic to natural dyeing processes?
The best way is to open up a conversation with your textile supplier. In the end the goal is to recreate the fashion system, and if you are working with a textile supplier ask if they have in their offer colours made with natural ingredients. If they don’t have it, they will at least notice a demand for change. If your brand’s DNA focuses on optimizing waste and being more circular, it is great to look for fabrics dyed with waste from the food industry or embrace the process of making it on your own. It is important for a designer who wants to work with alternative colours needs to embrace the unpredictability of the outcome of the dyeing process. From a design side of things, it is important to consider the fact that natural colours may gradually fade away. Lastly, locality is a very important sustainable value. What does it mean in the context of dyeing? Look for local dyers in your country and start amazing collaborations with local studios who will dye your collection with indigo, madder or turmeric for example.
Who is your dream company to collaborate with and why?
Oh I would love the Atlas of Sustainable Colours to be in every design school both as a reference and inspiration. Besides that it would be amazing to collaborate with Natsay Audrey Chieza, one of the pioneers in bio-dyeing and a very inspiring woman, who works in a field of biotechnology and design.
Our thanks to Julia Kaleta for her insights and joining us in conversation as part of the Key Conversation series with Sustainable Innovations curator, Simon Angel. If you’re interested in a collaboration with Julia, she’d love to hear from you! Find out more here: https://juliakaleta.com/contact
Let’s keep the conversation going … did this project spark an idea or do you have any questions? We’d love to hear from you, send us an email to info@munichfabricstart.com
Sustainable Innovations presents Key Conversations
Launch of our digital Sustainable Innovations forum with Key Conversations
As the curator of the Sustainable Innovations Forum, Simon Angel keeps an ear close to the ground when it comes to the latest material developments and emerging design concepts. It’s no surprise then that from years of experience he is an expert in cultivating relationships and bridging conversations to strengthen connection and progress in the world of Sustainable Innovations. Don’t miss to read about last seasons’ developments presented physically in the Sustainable Innovations forum at MUNICH FABRIC START.
“I’ve always thought of the Sustainable Innovations Forum as a podium, the forum is a place where we can have conversations, discuss ideas and share information. It has become a place for connection and collaboration. In times when designers and sustainable innovators are isolated and we cannot meet as before, it is important that we do not lose this connection. “
Simon Angel, Curator of the Sustainable Innovations Forum
Together with Simon, we have initiated a new video series we are calling ‘Key Conversations’ as an extended platform of the Sustainable Innovations forum. Hoping to provide designers and innovators with the opportunity to prompt and exchange ideas.
Even though designers may feel a sense of disconnection as they work alone in their studios, there is still so much exciting progress being made. By inviting designers to join him in conversation, Simon hopes to resolve this paradox and once again create another platform for connection and facilitate an open exchange of unique insights and experiences.
What is Key Conversations?
Simon will invite designers and innovators from his network as well as past and present members of sustainable innovations community to join him in video conversation. We can look forward to the same lively and friendly interaction which is key to getting to the heart of the projects which Simon will bring on board here. Our goal is to offer tangible insights which can led to real life applications and collaborations by sharing these conversations with our online community.
What is the goal of these conversations?
Collaboration through conversation is key. By revealing insights and sharing an open dialogue there is an opportunity to connect and broaden the scope of what we believe is possible for designers and brands. We hope readers of this blog and viewers who watch our videos can connect with the projects on a deeper level and jump on the profiles and websites of the designers to learn more. There is always a chance to take part in the conversation by sending an email to Simon Angel or the designers featured.
What innovations will we hear about?
We are keen to provide our community with an update from our previous participates of the Sustainable Innovations Forum. Especially, we will hear about the progress and growth of their concepts since joining us at the Keyhouse. As well as this, Simon will speak with innovators in the fields of organic material development, natural dyeing solutions, and the use of natural resources in technology, among many more unique and diverse topics.
What now?
New videos and interviews will be shared on our social media channels and Munique Blog. We will feature upcoming articles here in an easy collection coming soon!
Let’s keep the conversation going … did this project spark an idea or do you have any questions? We’d love to hear from you, send us an email to info@munichfabricstart.com