Digitalisation

WE ARE ALL IN Digital Trend Space SS2022

Trend Forecast Spring.Summer22

Discover our Spring.Summer 2022 Digital Trend Space BY MUNICH FABRIC START & BLUEZONE

18. February 2021
WE ARE ALL IN Digital Trend Space Spring Summer 2022

Since FABRIC DAYS from 2 – 4 March 2021 is unfortunately no longer possible due to the ongoing situation in Germany and Europe, our team is focused on sharing the latest material developments and designs via our online channels in the coming weeks. We are excited to present our newly developed DIGITAL TREND SPACE, which we hope will become a useful and inspiring tool for the Spring.Summer 22 season.

The Spring.Summer 22 season will be emotionally influenced due to the extraordinary situation this year. Our guiding theme WE ARE ALL IN stands for cohesion, the longing for personal exchange and the return to what we are used to doing – the “new normal”.

Discover the material, mood and colour worlds for the coming season in a free and highly interactive resource for our all our guests, as a new and inspiring digital exhibition – featuring a selection of the latest material developments, accessories and prints from international suppliers:

Our Digital Trend Space consists of 6 rooms in which you can move around freely.

FOLLOW OUR TOP TIPS BEFORE YOU START

    • Open the presentation on your computer or laptop. Your smartphone is less suitable.
    • Use CHROME or FIREFOX browser, Safari does not fully the support this presentation format.
    • Play the videos in the Trend Space one at a time. Only click on the next video once the first video has finished to avoid double audio.

To get you started, we recommend our guided video + audio tour of the DIGITAL TREND SPACE as an initial inspiration tour. Afterwards or at any time you can start your individual tour through the DIGITAL TREND SPACE. You will find the latest fabric, material and accessory highlights for each trend theme there.

EXCLUSIVE INSIGHTS FROM INTERNATIONAL TREND VISIONARIES FOR SPRING.SUMMER 2022

Trend forecast booklet for spring summer 22

Get inspired for Spring.Summer 22

Discover 4 Munich Fabric Start trend themes and 5 Bluezone trend themes in an easy and professional booklet. Use these inspirations for your collection design and your order planning.

Our TREND FORECAST is a combination of fashion trends, sustainability and innovation, as well as impressions from art, culture, architecture and design. The booklet is rounded off by expressive colour compositions featuring this season’s key colours and corresponding accent colours.


Release of the new CLO version 6.0

CLO 6.0: the 3D design process of the future

17. December 2020

Our KEYHOUSE stands for innovation, trend development and digital pioneering. CLO Virtual Fashion was one of the futuristic exhibitors that presented their revolutionary developments in KEYHOUSE last February: the 3D visualisation of clothing.

CLO Virtual Fashion is a leading global provider of 3D simulation technologies for the clothing sector. The company looks back on over ten years of experience in research and development in the field of clothing simulation and sees its technology not only as a tool for developing virtual garments, but also as a platform to provide valuable data about clothing, designs and trends with the help of garment visualisations. CLO Virtual Fashion is an international company with offices in New York, Munich, Seoul, Shanghai, Hong Kong and Bangalore.

Release of the new version 6.0

 

What we are particularly proud of: The innovative strength of our KEYHOUSE exhibitors cannot be stunted even by the challenges of a pandemic. We are therefore pleased to introduce you to the latest version 6.0 of CLO:

With the release of version 6.0, CLO has made the 3D design process faster, more accurate, more user friendly, more efficient and more seamless. With 6.0, CLO offers an incomparable solution for integrating a seamless digital end-to-end workflow. With the new cutting-edge features, designers can create virtual garments like never before.

One of the most revolutionary features of this version is Auto Sewing – which is exclusively available at CLO 6.0. This enables users to automatically sew their garments with just one click, which further shortens lead times. Other innovative new functions are also: Automatic Grading, whereby the cutting patterns can be adjusted based on the body shape and not just using the parametric size table. Grading Review enables users to check sizes at a glance. Pattern nesting minimizes fabric consumption for more efficient production and PBR format, which enables highly realistic fabric visualisation.

5 Auto Sewing
6 Print on Fabrics

Key Features of CLO 6.0

  • Grading Review:Compare garment and/or avatar grading in a single window.
  • Auto Sewing: Patterns are automatically sewn based on their placement on avatars.
  • Texture Editor:Express complex graphics by overlaying multiple images. When images repeat, create seamless graphics by editing their outlines while referring to the preview.
  • Print on Fabric: Print various patterns on fabric.
  • Render | Subsurface Scattering Material: Realistically express human skin. Subsurface scattering material penetrates and scatters under the objects’ surface. Utilise the material to illustrate leaves, fruit, candles and more.
  • Automatic Rigging & Converter: Add joints or convert user data to CLO avatars and use CLO Avatar Editor.
  • Schematic Rendering Style for Tech Pack: Render 3D garments into technical drawings for Tech Pack.
  • UV Editor Mode:Create UV maps of patterns, buttons and zippers as well as create normal, rough and metallic alpha maps.

3 new integration partners for CLO 6.0

Besides the updates of the key features, CLO 6.0 also convinces thanks to three new integration partners: JeanologiaSubstance and ColorDigital.

CLO Virtual Fashion has partnered with Substance by Adobe, tool to creat 3D textures, Jeanologia, the Spain based company specialising in finishing technology solutions for denim and ColorDigital, pioneer in uniform and efficient colour and surface communication, for the release of CLO 6.0. These exciting integrations allow brands and designers to achieve a desired and flawless workflow by optimizing the entire 3D design process from start to finish and enabling them to create sustainable digital designs that are an exact 1:1 representation of the physical end product.

“By providing practical and seamless workflows with Substance by Adobe, Jeanologia and ColorDigital, CLO users can now extend their design continuity to its fullest with their much loved applications. We are thrilled to work with accredited partners to bring augmented value to our users.”

Simon Kim, CEO of CLO Virtual Fashion

Jeanologia makes it possible to import washing files of the eDesigner

Import various types of washing libraries and JEAN files and apply them to garments as graphics. JEAN files are from the eDesigner application by Jeanologia which provides a laser washing solution.

“Today more than ever we need to implement digitisation in our industry. Design, digital collection and 3D virtual reality are going to be key to recovery. With the integration of eDesigner and CLO, we are able to make the dreams of designers a reality by connecting designers with wash developers and brands with manufacturers. It will be a complete transformation in the jeans industry.”

Josep Maria Carbonell, Software Developer Director Jeanologia

Create fully customisable materials with Substance by Adobe & X-Rite AXF

Import SBSAR files by Substance, the leading software solution for 3D digital materials, allowing you to download luxury materials with infinite texture variations or create fully customisble materials from scratch or via a scan, with complete authoritative control. In addition, import AxF files by X-Rite, a tool that generates realistic fabrics via various maps extracted from 3D fabric scanning.

“We are excited to collaborate with CLO and empower designers to push the fashion industry forward with 3D technology that expands the definition of what’s possible. The Substance integration unlocks the ability to iterate on materials instantly, present photorealistic designs, and discard unwanted prototypes without any waste. CLO designers are guaranteed an unprecedented level of control and realism and we are eager to see what they will create.”

Francois Cottin, Director of 3D & AR Marketing, Adobe

Use materials and colours of ColorDigital

Simply click and drag materials or colours from Color Digital’s DMIx cloud, and apply them to CLO’s garments.DMIx Cloud manages different forms of digitised materials, accessories and colours.

“With this partnership we enable the 3D Artist to use the libraries by their suppliers with a simple drag and drop of the material from the DMIx Cloud© directly on to their creations. This being done while keeping the full DMIx© quality in terms of color and PBR Standard based material. This enables a holistic approach of digital product development between brands and vendors on a common standard including master data, by using the most advanced raw material and trims solution in conjunction with the leading 3D garment technology.”

Gerd Willschütz, COO, ColorDigital

Be curious about the innovations that will be presented at our upcoming shows!


How Automation Will Change The Fashion Industry

SPORTSWEAR INTERNATIONAL TALK

DON’T BE AFRAID OF ROBOTS – HOW AUTOMATION WILL CHANGE THE FASHION INDUSTRY

In the February edition of Keyhouse at MUNICH FABRIC START, Sabine Kühnl, Editor-in-Chief at Sportswear International, hosted a panel about “Don’t be afraid of robots! How automation will change the fashion industry”. Five leading experts offered their unique insights into automation, digitalization and localization – which are currently some of the key trends driving the global fashion market.

With Ebru Ozaydin (Artistic Milliners), Jon Zornow (founder of Sewbo), Dr David Schmelzeisen (Research Associate of ITA, RWTH Aachen), Dr. Thomas Fischer (Head of Research at ITF Denkendorf) and Benjamin Baumann (Project Manager at Kuka).

Sportswear International Talk, February 5th 2020 at Keyhouse, Munich Fabric Start

Don’t be afraid of robots! How automation will change the fashion industry
As we move closer towards a fashion system which resembles Industry 4.0, the five experts offered their insights into our current status and the role of automation, digitalization and localization.
 

Are we operating in times of Industry 4.0?
In terms of the classic, mass production of our fashion systems, our panellists agreed we are not fully digitized yet. Where Industry 4.0 is concerned, it has a lot to do with digitization and digital product development and simply the necessary steps have not been integrated throughout all areas of the production chain. Fischer estimates the progress among the various fragments of the fashion industry only reaches a maximum of 50%, with Baumann also suggesting that if we break down the many subtopics, we are making greater progress in some areas than others.
 

What then is the greatest challenge facing our industry?
Industry 4.0 relies on the exchange and sharing of data, which is currently still a problem for our fashion industry which is greatly fragmented. Where progress is often stunted due to manufacturers working conservatively instead of as part of a community which makes sharing and accessing data difficult. Collecting and processing data at all stages plays a vital role for Ozaydin, in order to bring more information about the production into the hands of the end consumer. With greater investment in automation technology, linking systems together in this way Zornow elaborates will make data sharing infinitely more efficient and available.
 

Is there a role textiles can play as part of Industry 4.0?
Textiles can be distinguished as part of the network where clothes can play an essential role in communication with its environment and the wearer. Through various integrated CPS’s (Cyber Physical Systems) such as sensors and antennas, textiles can become extremely useful materials for Industry 4.0 as well as a lot of other sectors. We explored this topic in greater detail with The Nurture Room project by fashion technology expert Pauline van Dongen also at the Keyhouse.
 

Will there always be a place for humans in fashion and textile manufacturing?
Through greater collaborative efforts and research into digitization, it will be possible to drive down the initial costs of automation which would lead to increased investments into automating processes. However, these will be non-value adding tasks and currently cannot replace the labour-intensive processes carried out by human beings. Schmelzeisen typically advises that 40% of production should be digitised but views the future of robots in the fashion industry as a collaborative relationship, where robots are brought in to assist workers and provide relief in difficult or strenuous tasks. Repetitive or mundane processes can be out sourced while increasing focus on value adding tasks only achieved by humans. There will be more jobs which evolve are suited to the human nature, their creativity and craftsmanship also in the development and management of these processes.
 

What is the role of localization in this new fashion system?
With global trends indicating that labour costs are set to increase in the conventionally ‘cheaper’ countries, this could make the higher investment costs of automation technology more feasible. At the same time, from a sustainability point of view, there will be an increase in companies operating regionally where materials can be processed and recycled locally. With solutions such as nearshoring, micro factories and smaller production centres offering attractive alternatives in times of political and environmental uncertainty. Also offering a solution to the high demand for personalisation and bespoke design services at the point of manufacturing, leading to the invention of new, customised technology and automated processes scaled to these new production processes. “Everything that can be digitized will be and everything that can be digitized can be personalised.” – Dr Thomas Fischer
 

Want to know more? Watch the full discussion now available on our YouTube channel.


Yünsa: Pioneers in Combining Sustainability and Digitalisation

Brands, suppliers and retailers evaluate to digitize their value chain to reduce time in product development, gain cost efficiency and increase their eco-consciousness. Those brands and suppliers who prevent a digital option gain a significant competitive advantage over those that remain static.

We interviewed YÜNSA, as pioneers in the combination of sustainability and digitalization, they will offer a 100% digitalized collection in Spring.Summer 21. This and all successive collections will consist of fabric hangers for quality and hand feel reference as well as digital design and colour cards which are constructed and visualized in Penelope. Improvements in product development are expected to be up to 40% in terms of speed, cost and sustainability.

Penelope CAD | Keyhouse, Hall 5 , Booth #13

 Digitisation goes hand in hand with sustainability, how are the digital connection tools used alongside the value chain to ensure sustainability?

Sustainability is not only about the raw materials but also the production process, chemical usage, waste management as well as time and energy consumption. Conventionally, as much as 80% of blankets and sample fabrics produced for either collections or customer requests were wasted and could not be used. If there are any mistakes in the finishing applications, fabrics need to be repaired and thus increases chemical usage and energy consumption, creating additional waste and pollution.

Digital product management is completely clean and fast. Developing a new pattern and colour variant takes less than an hour and is open to numerous corrections. With the possibility of simultaneous sharing via the cloud it does not rely on standard transportation methods which wastes time and resources. No waste, no pollution, fast and cost efficient.

What challenges have you faced throughout this process?

The biggest challenge is the resistance of the colleagues, managers and shareholders to the digital transformation. The industry and the laborers of our sector are very conservative in getting out of the traditional way of working. Financial and technical difficulties are easily overcome, as long as the team is open to change, believing in its benefits and supporting the process. We are lucky that Yünsa has an experienced, dynamic and enthusiastic team. Transformation is supported by the whole company. At this point, we should send a very special thanks to our information technologies team.

What were the initial steps of upgrading your sampling process with this new digital sampling process?

It all started with believing in digital transformation. We made the necessary technology investments in order to become pioneers in the sector, including Penelope CAD, Color Digital and ERP software. When our design team understood the benefits of digitization, they immediately took over the project.

We have digitized more than 9.000 yarn/colour combinations. This process is continuous as we create new yarns and colours every new season. For the Yünsa collections, we develop the designs and colour ways in our CAD software and create digital Yünsa collections. These collections will be available to customers in our online “Yünsa Shop” that will allow our customers and brands to browse the Yünsa collections, select and order fabrics, digital materials and make new requests.

Special customer developments are currently being developed in our CAD software and shared with customers via the cloud. The patterns are ready to be downloaded and fully integrated into the leading digital solutions such as CLO and ASSYST. For realistic simulation and digital decision making, the physical information based on measured parameters of our fabrics will also be included in the cloud library.

To what extent do you believe this is the future of production sampling for fashion?

Digital workflow is the real future of the fashion industry. We believe all parties of the fashion industry will experience the digital transformation in 3 to 5 years. Brands and suppliers who provide digital solutions will gain a significant competitive advantage over those that remain static.

What results have you seen in terms of cost and waste reduction?

Not much at the moment. As the majority of the industry is only at the stage of observation, alongside the digital versions we are still preparing the Yünsa collections and customer requests by traditional production means such as handlooms, blankets and sample meters, we haven’t seen a significant cost or waste reduction yet. Brands need to understand the benefits of this future workflow and start digital transformation instead of waiting others to step forward. Yünsa is ready to serve fully digital.

What are the benefits to the environment by embracing this new sampling process?

Digital workflow is clean and environmentally friendly. Expected minimum 40% sample production reduction means less dye stuff and chemical usage, less fabric waste, less energy & water consumption, less carbon release. I always use the “miraculous” expression for wool as the main raw material we use in Yünsa; natural, renewable, biodegradable, insulator, breathable, flexible, resistant and safe. Digital workflow is also miraculous; sustainable, eco-friendly, cost conscious, fast, standardized, precise.

Visit Yünsa at MUNICH FABRIC START on February 4-6 2020 in Munich, Section 1, Stand F103


A Discussion About SusTECHability

More than ever, the future of the textile and fashion industry is determined by new and highly complex topics. Sustainability has become the main driver in the fashion industry revolution, combining the awareness of greater consciousness with an increasing and urgent responsibility of all involved.

“Sustainability isn’t a trend; it’s a fact. As tradeshow organizers, we feel obliged to provide an internationally established platform for targeted solutions, sustainable innovations and discussions surrounding these issues. We see ourselves as a platform and a voice of the industry. And in this role, we offer a significant advantage in terms of awareness and reach.”

Sebastian Klinder, Managing Director, MUNICH FABRIC START

Alongside sustainability, digitization and technology are the complementary catalysts that increasingly redefine product and process solutions and, in doing so, provide significant momentum for the progression of one of the world’s largest industrial sectors.

Digitization, such as what’s found through blockchain technology, makes it possible to guarantee the level of transparency demanded by the consumer. In addition, there is the prospect of a new visual aesthetic—and thus optic innovations—that can only be created through the use of digital technologies.

Fashion has to pursue a hybrid approach overall so that the apparel industry can really opt for sustainable innovation, allowing it to implement sustainability initiatives with a high degree of design, disruption and integration of new technologies,” Muchaneta Kapfunde, founding editor-in-chief of FashNerd.com, said.

Such practices can already be found today. Rosanne van der Meer, founder of The Girl and the Machine, which designs and produces personalized knitwear based on 3-D knitting techniques, demonstrates this with the NIO New Industrial Order personalized fashion laboratory. “At first, I thought it was a problem that sweaters developed with 3D technology looked different than conventional, traditional knitted styles,” she explained. Only in the course of the process did she realize that this could be a real and unique selling proposition, and that perhaps 3D knitting would establish its own recognizable look that could stand out from conventional styles.

The textile and fashion industry is facing a fundamental upheaval. In order for the garment industry to rely on sustainable innovation, it is necessary to adopt a hybrid approach that enables sustainability initiatives to be implemented with a high degree of design and integration of new technologies. The demand for sustainable products and correspondingly transparent, resource-efficient production is one of the most urgent challenges faced by all suppliers and producers of relevant fabrics and accessories.

This assessment is mirrored by Alex Vogt of Kern Consulting, an analyst for innovation and corporate responsibility. Vogt views technological developments as the key to dissolving the current contradiction between a growing textile industry and the need to conserve resources. “Ranging from transparency, recyclability to surplus production, the potential applications for big data, artificial and amplified intelligence are wide and varied,” he said.

“Certainly this panel was significant in its disciplinary range and approach. Thus, a discourse emerged between the public-sociological perspective, with Li Edelkoort, the UN and the media on the one hand, and the H&M Foundation, Lenzing and EON on the other as those who are bringing real innovation to the industry.”

Alex Vogt, KERN Consulting

Munich Fabric Start currently presents these fields through concrete showcases, substantiated information and numerous new products for a broad market, thus promoting this necessary dialogue. As one of the most important international fabric trade fairs, with more than 1,000 suppliers of fabrics and additional items—showcasing well over 2,000 collections per season—Munich Fabric Start has been engaged with issues surrounding innovation from a very early stage.

Through a series of dedicated areas for each segment, supported by proven experts and associations, the trade fair offers a comprehensive range of beautiful, certified fabrics and accessories. As a think tank for new technologies, sustainable innovations and smart textiles, the Keyhouse area of the show bundles new approaches in these areas through interactive presentations. Acting as a communication forum for dialogues, interviews, statements, seminars, panels and round tables, it serves as the ideal platform for synergies and cooperation.

“At Munich Fabric Start, particularly in the Keyhouse, there is a very special atmosphere. Here the most varied forms of creativity collide. Moreover, we use this opportunity to explain our products, strategies and co-operations in seminars and to launch projects,”

Tricia Carey, Director Global Business Development, LENZING FIBERS

As the representative of a strong community, now more than ever viewed as responsible for initiating processes, it makes expertise accessible, ultimately providing the tools and solutions for these future-oriented processes.

Content, communication and connection are the elementary parameters of a textile and fashion industry that is currently reorganizing itself. A change of thinking is occurring, and  Frank Junker, creative director Munich Fabric Start, pointed out the great commitment held by the fair to make a significant contribution to the redefining the future of textiles.

“With the help and support of experts, renowned enterprises and ambitious startups—combined with courageous creative minds and committed young designers who are shaping their own future in new ways—we are setting new standards in a very focused and solutions-oriented way.”

Frank Junker, Creative Director, MUNICH FABRIC START

As future vertical brand co-operations become increasingly important, the goal must be to integrate performance characteristics and sustainable solutions within clothing in such a way that it becomes a real selling and buying argument that resonates with respective fashion brands. Against the backdrop of a multifaceted and hugely diversified industry, Munich Fabric Start is positioned as a platform for intensive business and successful networking.

The next Munich Fabric Start will take place Feb. 4-6, 2020, and will showcase the main topic THRIVABILITY.

Discover the list of exhibitors here.


Digital Fabric Lab – The Future Begins Now

Digitization 4.0 is one of the most important topics of the future when it comes to process control within the textile and fashion industry. At the same time, the digitization of fabrics in the preliminary stage of the clothing industry still poses a major challenge.

One of the key building blocks within these technical undertakings will be the digitization of materials and additionals. Digital material parameters such as elasticity, flexibility, tension and rigidity must be determined for the realistic presentation of textiles in product simulation. For these physical measurements, surfaces, colours and textures must be captured and combined in a technologically feasible way.

What this process of analysis looks like in practice, as well as how fundamentally this new achievement changes and accelerates production processes, is demonstrated by a DIGITAL FABRIC LAB which will be featured for the first time in KEYHOUSE.

‘We are convinced that in the future there will be a digital twin for every fabric or button presented. Through an innovative analysis process, the speed of the production process can be increased many times over. ‘
Sebastian Klinder, Managing Director MUNICH FABRIC START

In a community showcase initiated by MUNICH FABRIC START, leading specialist companies and university professionals have joined forces to demonstrate the individual steps in this new type  of process in a comprehensive and practice-oriented manner using simulated digitisation stations.

/ STAGE 1 /

# PHYSICAL FABRIC MEASUREMENT

The accurate and informative value of the virtual simulation will on the one hand depend on exact physical parameters for the true representation of the textile material. As well as the transformation into corresponding parameters assigned by the simulation material model and on the other hand it will also depend on exact model calculations.
To describe the material behaviour, the basis weight, the material thickness, the rigidity, the elasticity and the draping behaviour of the textile surfaces can be determined and processed accordingly. This makes it possible for the user to make design and fitting decisions on a purely virtual basis, both for products that will be close to the body as well as those positioned further away.

Technische Universität Dresden
Helmholtzstr. 10
01069 Dresden
Germany

/ STAGE 2 /

# DIGITAL COLOUR COMMUNICATION

Caddon’s multi-spectral technology provides the visually stimulative effects of the design’s colours as well as its spectral data measurements, pixel by pixel in a rapidly captured and communicated image data set, thus making a significant difference to single spectral colour measurement.

With Caddon’s colour digitization, accurate colour values are available where they are needed :

  • – in the form of digital colour books with comprehensive colour codes for designers.
  • – in the form of digital multi-spectral images for visualisations for production and marketing.

Caddon Printing & Imaging GmbH
Stadionstraße 6
70771 Leinfelden-Echterdingen
Germany

/ STAGE 3 /

# FABRIC SCAN PROCESS

The visual properties of a material sample, sized max. A4, are recorded with the xTex scanner within 1 to 2 minutes. The digitised material is then made into a Tileable, block pattern repeated seamlessly with the help of the xTex software, in a further 5 mintues. Tileable means that it is seamlessly repeated and can be applied to larger areas than initially captured using 3D application.

If necessary, in the following step we can use Caddon’s export colour data to colour or retouch the material using our xTex software for a more accurate colour representation. The finished digital material can then be used in Vidya, for example.

Vizoo GmbH
Johann-Karg-Strasse 30
85540 Haar
Germany

/ STAGE 4 /

# DIGITAL FABRIC SIMULATION & VISUALISATION

3D-Vidya offers the best simulation of cut and material. With 3D-Vidya a piece of clothing becomes digitally visible on the computer, creating realistic decision making bases for designers, product developers and all others involved in the creation process of a collection :
Cutting concepts are visualized.

  • – A design becomes immediately visible and can be optimized.
  • – Details immediately available including drapery, imprints, ornaments which can be optimally placed.
  • – Texture and material properties including elasticity or material thickness, distance to body, gloss structures or wrinkle effects can be precisely represented
  • – Fabrics up to 3cm with up to 21 layers can be simulated.
  • – Colour management enables the binding of colours to be specified by importing spectral colours and rejecting them under a series of neutral lighting scenarios.

Assyst GmbH
Europaallee 10
67657 Kaiserslautern
Germany

/ STAGE 5 /

# REAL TIME QUALITY ASSURANCE

Based on the speed, transparency and accuracy of Triple Tree Solutions, premium quality management and assurance
solutions is ensured in every stage of textile and apparel manufacturing and sourcing. Using the intuitive and modern user interface, our online quality management system QUONDA visualise all measurements and evaluations throughout the chain. The results are available in real-time and accessible by all members involved, across all devices.
Here at KEYHOUSE we demonstrate the process of colour evaluation, as well as provide a summary and evaluation of the results of the four simulation stations. Digital colour matching between the manufacturer and customer significantly accelerates the procurement process, saves costs and also lowers the carbon footprint of the participating companies by avoiding unnecessary transport – Green Sourcing!

Triple Tree
Kaiserswerther Straße 115
40880 Düsseldorf-Ratingen
Germany