KnitForm+ by Jeanne Mora – SUSTAINABLE INNOVATIONS


What matters is how the textile responds: how it regulates volume, distributes pressure, and transitions from flat to three-dimensional states. Process transparency is embedded in the methodology itself.

RETRAKT – SUSTAINABLE INNOVATIONS


Performance, in this context, is measured by organisational resilience. RETRAKT applies resilience engineering to help employees anticipate, monitor, respond to, and learn from complex and changing requirements.

MATERIA FUTURA – SUSTAINABLE INNOVATIONS


Materia Futura is not proposing a new bio-material category, nor a finished commercial textile. What distinguishes the project is its design-led investigation into the emotional and aesthetic dimensions of bio-based materials, an area often sidelined in sustainability discourse.

THREADED PROTOCOLS – SUSTAINABLE INNOVATIONS


Threaded Protocols is not a textile innovation in the commercial sense, nor a digital tool disguised as craft. What makes the work distinct is its material investigation into how computational logic originates in textile practice and what is lost when those logics are abstracted into opaque technological systems.

MARIE VILAY – SUSTAINABLE INNOVATIONS


Marie Vilay does not present a new fabric or production technique. What distinguishes her work is a method of reading and translating textile knowledge across cultures, systems, and moments of transition.

Interview with Simon Angel, Curator of SUSTAINABLE INNOVATIONS


Each season, the Sustainable Innovations forum brings together projects that provoke, inspire, and challenge assumptions. This year is no exception, with work ranging from bio-luxury couture to energy-generating textiles and regenerative materials grown from wetlands.

Materials as Agents of Change with Simon Angel


Each season, the Sustainable Innovations forum brings together projects that provoke, inspire, and challenge assumptions. This year is no exception, with work ranging from bio-luxury couture to energy-generating textiles and regenerative materials grown from wetlands.

Living Matter: Bio-Luxury for Future Materials


Indigo, a colour with a lot of history, is the main focus of this project. Denim has always meant strength and durability, and its roughness is linked to work and usefulness.

BIOTEXFUTURE: How to Make Textiles from Fossils


The program is a group of businesses and universities working together to find scalable, bio-based alternatives.

Wetlands Matters – by Marc Wijkmans


Wijkman’s idea came from a simple but important observation: animals carry seeds across ecosystems in their fur.

Heliotex – Studio Pauline van Dongen


Heliotex is basically a way to combine organic photovoltaics with lightweight, flexible fabrics. The result is sunshades and canopies that generate energy and look good at the same time.

Atelier Dasha Tsapenko’s MYC_Couture


People have long praised couture for its ability to shock. But what if fashion didn't just shock people with its looks but also made them think about what it was made of?

Plantfur – by Studio iFOCUS


Veentjer’s practice has turned her attention to cattails, a plant that grows well in waterlogged soils and has the potential to change both landscapes and textiles.

Kantamanto Social Club


The mission of Kantamanto Social Club is clear: to empower communities in the Global South. It aims to shine a spotlight on communities, particularly those whose circular and regenerative practices have been undervalued for too long.

Curiosity, Courage and Craftmanship


The projects I selected this season challenge us to rethink everything from raw materials to end products and production processes, whilst emphasising on sustainability as an ongoing dialogue.

The AFTERLIFE Project by Oscar Wentz


In an industry swamped by fast fashion and ever-changing trends, Oscar Wentz’s AFTERLIFE project has hit the reset button.