Her vision: to create an entire outfit made wholly from hemp fibre and end the stigma surrounding the plant.

The project targets the establishment of biobased polymers in the textile industry, demonstrating their full potential.

Elizabeth’s research focuses on combining nature – especially the use of natural and recycled materials – and community, a social practice which weaves themes such as mental health while encouraging accessible creativity.

"Being Plucked" questions underlying assumptions and illuminates the political dimensions of decisions about one's body.

The revolution of Revoltech lies in the use of Hemp-Leder, an advanced fusion of hemp fibers and traditional leather.

Textiles, for Sophie, become a medium that provides protection while revealing the vulnerability of the self.

In a time where natural wool is often imported and blended with synthetic fibers, Cloudwool relies on local resources and fights against the neglect of local sheep farmers' wool.

CO2Tex stands out as a central project within BIOTEXFUTURE, focusing on CO2-containing thermoplastic polyurethane (TPU) as an alternative to conventional elastane.

But over time, our relationship with textiles has changed.

This technology opens up extremely exciting possibilities.

How and where are our roots? How can we reconnect with deep human values and ancient knowledge and skills?

Local and recycled: Enschede Textielstad was founded in 2013 by Annemieke Koster to create responsibly produced fabrics from recycled yarns and local raw materials such as flax, hemp and wool for apparel and interior textiles.

The focus here is on circularity: it is about the recyclability of the material; a product made by Studio Sarmite can be dissolved at the end of its life and the textile fibres can be used for the next production cycle.

Bio-based, locally produced, on demand: that's MYCOTEX by NEFFA – a flexible material whose properties lie somewhere between leather, plastic and artificial leather

The textiles have the peotic power of tracing time. The changes in the colours make the ageing process visible and make transience a subject of discussion – spiritual as well as material.

When the programmers of KNITWEAR LAB teamed up with 3D software specialists, a completely new idea for more sustainable, cost-efficient and design-oriented pattern development and knitwear production emerged.